Well I can hardly believe it but our FdA Degree Show opens this evening, (6:00pm – 8:30pm at Desborough Campus, Eastleigh) and I’m looking forward to seeing friends and family there.
The threads of yesterday are now 40 flight paths – dyed, coiled and ready to take flight …
With less than 2 weeks to go I thought I’d better start cutting the lengths of thread for the B95 migration path; it’s surprising how tangled a 5m length of thread can get! It’s not going as straight forwardly as I would like – having measured 20 lengths of threads and carefully winding them up so as to avoid the tangles, I had to unwind them to measure and mark up how far the dye needed to go.
Anyway one set is ready for dyeing just another set to go!
Only 3 weeks to go! With one module still to complete and my exhibition piece to make the pressure is really on. Time flies when you’re having fun or when you’re trying to meet a deadline! With over a thousand red knots done there’s still so much to do…
Breaking news from the ‘Friends of the Red Knot’ Facebook page:
“He’s Back!! Here’s the news we’ve been waiting for!! B95 was found this morning at Reeds Beach, by Patricia Gonzalez. Truly amazing!!!”
I’m so pleased to hear he’s alive and well.
I went to see the ‘Altered Images’ textile exhibition by ‘Diversity’ yesterday at the Forest Arts Centre in New Milton. The work was quite varied in style from beading to machine embroidery and 3D work. I was pleased to see a small piece of free machine embroidery by Elizabeth Randall, only sorry I didn’t get a photo of it. There was an interesting series of work by Helen Talbot inspired by her visits to Venice. I particularly liked Susan Vosper’s black thread landscape and her ‘Sunset’ and ‘Sea View’ pieces worked using sari silk ribbon and machine stitch. (apologies for photos taken with my phone, in a bad light and behind glass)
Ali Lindley is a creative artist specialising in watercolour and mixed media work and I was lucky enough to recently attend one of her workshops. She has her own unique style, which is quite loose, using colour and texture as the stimulus for a piece of work which is often finished with the addition of gold leaf.
Having no real experience in watercolour painting it proved to be a most exciting if somewhat nerve wracking day. We used a number of techniques such as stenciling, washes, dropping colour in and water spraying gold ink as well as simply letting the paint do its own thing; Ali made it look so simple but that’s years of experience for you. However under her guidance I managed to produce something almost recognisable!